Grand prize winner of the Philips Parallel Lines ‘Tell It Your Way’ international competition.

This short film  got some attention when it won a contest created by the Phillips Corporation which had a few restraining parameters in place. The films could only have six lines of dialogue, and they had to be:

What is that?

It’s a unicorn.

Never seen one up close before.

Beautiful.

Get away, Get away!

I’m sorry.

Ελληνικά παιδικά παιχνίδια έργα τέχνης.

Τα πανέμορφα Ελληνικά βιοτεχνικά-εμπορικά παιχνίδια ,συλλεκτικά σήμερα, ήταν επί το πλείστον κατασκευασμένα από τσίγκο ( ένα είδος λαμαρίνας) ,σχεδόν όλα ήταν κουρδιστά, βαμμένα με μεγάλη επιμέλεια και με πολύ όμορφα χρώματα.
* Η δεύτερη εικόνα είναι καρτ-ποστάλ με παιχνίδια συλλογής: τσολιάδες των δεκαετιών ’30 έως ’50 και ξύλινα λαϊκά καραβάκια της δεκαετίας του ’40, που εικονίζουν πλοία του Πολεμικού μας Ναυτικού, η τρίτη και τέταρτη είναι χειροποίητες κατασκευές λαϊκών τεχνιτών όπως επίσης και η τελευταία.

a short video summarizing some of the most important characteristics of students today – how they learn, what they need to learn, their goals, hopes, dreams, what their lives will be like, and what kinds of changes they will experience in their lifetime. Created by Michael Wesch in collaboration with 200 students at Kansas State University.

This project was created to inspire teachers to use technology in engaging ways to help students develop higher level thinking skills. Equally important, it serves to motivate district level leaders to provide teachers with the tools and training to do so.

http://www.ted.com Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity.

Παλιά Ελληνικά επαγγέλματα

Η μετάφρασή της στα αγγλικά

Pierre Dumayet
…now that Zorba has existed?
Max-Pol Fouchet
Absolutely. Me, I’ve never doubted that he existed and I have even less doubts, tonight, ever since I’ve known Mr. Kazantzakis because earlier, Mr. Kazantzakis was saying that he would have liked to be Zorba but he is Zorba. He is Zorba through what he writes, what he thinks, through his sensitivity, absolutely. Besides, I must say that the main character of what we refer to in cinema as “the one that has to die”, right? (I give this title voluntarily so that listeners can relate to your book more easily), well, he’s also someone who’s very close to Zorba. Your shepherd who, at a certain time, chooses justice, chooses charity perhaps doesn’t dance, but, you know, he could dance. And I always get the impression that your books are very close to the principles of Greek mythology because your Zorba is, after all, a sort of Antée, if you will. He makes contact with the earth and finds his force there and he finds his strength and his order in this very earth, since, we could easily say, he’s an anarchist, he has an order that he respects and it’s that which is the order of the earth which is the Plutonian order by excellence.
Pierre Dumayet
Now, I think we should ask a few questions about “St. Francis of Assisi” which is the novel that was just published. You told me that you wrote this book in gratitude, because Francis of Assisi saved your life twice.
Nikos Kazantzakis
Yes. I owed Francis of Assisi something, that’s why I had… I had the great desire to explain my gratitude by writing a book about him. And the first time he saved my life, it was during the German Occupation. The Germans… I was on a small island near Athens, so the Germans… We had nothing to eat. And I was almost dying of hunger. And everyone around me was dying. So one day, I received a letter from a Franciscan friar who lives in Athens. He told me: “If you would translate Saint Francis of Assisi’s biography, done by Jurgensen, then we will send you a case of provisions”. So right away I’m… I received… it was a case that had marvelous things, almost unheard of, and I had forgotten them, meaning sugar, coffee, macaroni, rice, etc… And I wrote this book with a long prologue.
Pierre Dumayet
And the second time?
Nikos Kazantzakis
The second time was when I was very ill so, all of a sudden, I thought about Saint Francis of Assisi. I mean, I wanted to think about a man who was able to conquer death. And right away I thought about Saint Francis of Assisi. And while… I had a fever, fever, 40, 41, I don’t know how. And my wife would come, she told me: “Take this pen and I will dictate”. And I started to dictate to her Saint Francis of Assisi. And poetic things, especially. One day, I remember that I told her… Because, you know, this book isn’t a biography, it’s a summary of a biography, the poetry and things that Saint Francis didn’t say but that he could say because he was [inaudible]. So I told my wife: “Take the pencil and write. I’m going to dictate something that Saint Francis didn’t say but that he could have”. One day, Saint Francis saw an almond tree in the middle of winter. So Saint Francis told him: “Brother almond tree, talk to me about God”. And all of a sudden, the almond tree became covered with flowers. That’s very Franciscan, isn’t it?